A 16th-century manuscript in Regensburg
in Early Music
February 2009; published online February 2009.
Journal Article. Subjects: early music. 4134 words.
A 17th-century cancionero
in Early Music
August 1997; published online August 1997.
Journal Article. Subjects: early music. 0 words.
A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano
in Early Music
November 2005; published online November 2005.
Journal Article. Subjects: early music. 3699 words.
A wrong (or at least highly suspect) note in the C. Wheatstone & Co. publication of Giulio Regondi's Serenade for English concertina and piano (1859) should probably be emended with the...
‘A lovely and perfect music’: Maria Anna von Raschenau and music at the Viennese convent of St Jakob auf der Hülben
in Early Music
August 2010; published online August 2010.
Journal Article. Subjects: early music. 8355 words.
A Singing Tone
in After the Golden Age
December 2007; published online May 2008.
Chapter. Subjects: music theory. 12701 words.
This chapter analyses the Romantic obsession with a cantabile “singing tone” on the piano, with particular reference to techniques of pedaling, arpeggiation, and asynchronization of hands. The...
A Suitable Prelude
in After the Golden Age
December 2007; published online May 2008.
Chapter. Subjects: music theory. 10300 words.
This chapter examines the virtually universal custom before the mid-decades of the 20th-century of pianists improvising preludes and transitions between pieces, with especial attention to Chopin,...
‘A sweet shrill voice’: The countertenor and vocal scoring in Tudor England
in Early Music
February 1998; published online February 1998.
Journal Article. Subjects: early music. 0 words.
. A Way into Schoenberg’s Opus 15, Number VII
in Studies in Music with Text
January 2006; published online October 2011.
Chapter. Subjects: music theory. 11101 words.
Arnold Schoenberg's poem, Opus 15, Number VII, is an exploration of an affective disorder and comes in two parts. The first three lines expose the affects involved: Angst and Hoffen wechselnd,...
Abbot Martin Rinkenberg and the origins of the ‘Glogauer Liederbuch’
in Early Music
February 2009; published online February 2009.
Journal Article. Subjects: early music. 5404 words.
Absorbing Lassus
in Early Music
February 2005; published online February 2005.
Journal Article. Subjects: early music. 0 words.