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Audience Response and Expressive Pitch Inflections in a Live Recording of Legendary Singer Kesar Bai Kerkar

Wim van der Meer.

in Expressiveness in music performance

July 2014; p ublished online September 2014 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 8658 words.

This chapter examines several “snapshots” from a recording by the legendary singer Kesar Bai Kerkar (1892–1977), in which the customary audience response to a concert of classical...

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Auditory icons, earcons, and displays: Information and expression through sound

Agnieszka Roginska.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 12927 words.

Although it is often claimed that we have become a primarily visual-based society, the role of sound and music in communicating and augmenting information transmission has become...

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Children’s media: The role of music and audio features

Sandra L. Calvert.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 11459 words.

This chapter explores the effects of music, singing, sound effects, and vocalizations on children’s attention and learning in multimedia experiences in both entertainment and educational...

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Commercial Sound Recordings and Trends in Expressive Music Performance

Dorottya Fabian.

in Expressiveness in music performance

July 2014; p ublished online September 2014 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 10100 words.

Sound recordings provide crucial evidence of stylistic changes in music performance, highlighting the strong impact of time and place (i.e. history and culture) on what is regarded as an...

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Congruence-Association Model of music and multimedia: Origin and evolution

Annabel J. Cohen.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 14617 words.

The evolution of the Congruence-Association Model (CAM) is presented in a cognitive-scientific and historical context. Iteration 1 of CAM proposed a bottom-up process for analysis of...

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Cross-modal alignment of accent structures in multimedia

Scott D. Lipscomb.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 10245 words.

Since the 1980s, many researchers have investigated the relationship between music and image in the multimedia context; most of these studies address the semantic meaning of the multi-modal...

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Emotion and music in narrative films: A neuroscientific perspective

Lars Kuchinke, Hermann Kappelhoff and Stefan Koelsch.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 10301 words.

There are many different ways in which emotions can be elicited by narrative films. This chapter explores neuroscientific perspectives on music as an important factor involved in the...

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Ensemble Performance

Peter Keller.

in Expressiveness in music performance

July 2014; p ublished online September 2014 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 12491 words.

This chapter addresses how ensemble musicians achieve the precision and flexibility in interpersonal coordination that enables alignment of performance parameters related to basic...

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Experimental semiotics applied to visual, sound, and musical structures

Roger A. Kendall and Scott D. Lipscomb.

in The Psychology of Music in Multimedia

June 2013; p ublished online September 2013 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 6371 words.

The relationship of music to film and multimedia has only recently received the attention of experimental psychologists and cognitive musicologists. This paper outlines theory, semiotical...

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Expressive Performance in Contemporary Concert Music

Eric Clarke and Mark Doffman.

in Expressiveness in music performance

July 2014; p ublished online September 2014 .

Chapter. Subjects: Music Theory and Analysis; Social Psychology. 9577 words.

The majority of recent empirical research on performance has focused on material from common practice repertoires, rather than on contemporary music, much of which is marked by radical...

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