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Art x Christianity x clear all

Anglican Aesthetics

Kenneth Stevenson.

in The Oxford Handbook of Anglican Studies

October 2015; p ublished online July 2016 .

Article. Subjects: Christianity; Religious Subjects in Art; Music and Religion. 5735 words.

This chapter focuses on the applied aesthetics of Anglican worship. As a seventeenth-century development, with definitive roots in the sixteenth-century Reformation, as well as in the...

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The Arts

Roger Lundin.

in The Oxford Handbook of Evangelical Theology

December 2010; p ublished online January 2011 .

Article. Subjects: Religion; Philosophy of Religion; Christianity; Religious Subjects in Art. 7460 words.

Whether we are trying to judge issues of immediate interest or fathom matters of long-standing concern, history gives us the key for understanding the complex and often tangled relationship...

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Christ in Cinema

Robert Barron.

in The Oxford Handbook of Christology

September 2015; p ublished online September 2015 .

Article. Subjects: Religion; Philosophy of Religion; Christianity; Religious Subjects in Art. 7241 words.

A Christ figure in film illumines a theological dimension of the person of Jesus. The Christ figure in Babette’s Feast is a French Chef, Babette. The feast which she provides at great cost...

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Christianity and Visual Art

Graham Howes.

in The Oxford Handbook of Religion and the Arts

February 2014; p ublished online February 2014 .

Article. Subjects: Religion; Christianity; Religious Subjects in Art. 3872 words.

This chapter focuses less on the relationship of artists to Christian religious institutions, and more on how an artist’s Christian identity, ideas, and personal beliefs are themselves...

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cope

Overview page. Subjects: Christianity — Art.

A semicircular cloak worn at certain liturgical functions in the W. Church when the chasuble is not used. In the Middle Ages it was widely used as a ceremonial choir habit by communities on...

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Davies, John David Edward (<i>born</i> 1953)

in Who's Who

P ublished online November 2015 .

Reference Entry. Subjects: History of Law; Law; History of Religion; Religion; Christian Churches and Denominations; History of Art; Arts and Humanities; Exhibition Catalogues and Specific Collections. 176 words.

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DENNISTON, Robin Alastair (1926 - 2012), Oxford Publisher and Senior Deputy Secretary to the Delegates, Oxford University Press, 1984–88 (Academic and General Publisher, 1980–84); Priest-in-charge of Great with Little Tew and Over Worton with Nether Worton, 1995–2002

in Who Was Who

P ublished online April 2014 .

Reference Entry. Subjects: Business History; Business and Management; Business Ethics; History of Art; Art; Exhibition Catalogues and Specific Collections; History of Religion; Religion; Christian Churches and Denominations. 339 words.

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dossal

Overview page. Subjects: Art — Christianity.

(Latin dorsal: back), a textile hanging placed behind the altar of a Christian church. This was normally suspended from the ceiling or attached to the back wall, and like a ...

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DRUMMOND, Norman Walker (<i>born</i> 1952), Founder and Chairman: Drummond International, since 1999; Columba 1400, Community and International Leadership Centre, Isle of Skye, since 1997; Visiting Professor of Leadership in Education, University of Edinburgh, since 2009

in Who's Who

P ublished online November 2015 .

Reference Entry. Subjects: History of Religion; Religion; Christian Churches and Denominations; Business History; Business and Management; Business Ethics; History of Art; Art; Exhibition Catalogues and Specific Collections. 419 words.

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Elihu's Spiritual Sensation: William Blake's <i>Illustrations of the Book of Job</i>

Emma Mason.

in The Oxford Handbook of the Reception History of the Bible

January 2011; p ublished online May 2011 .

Article. Subjects: Religion; Religious Studies; Christianity; Religious Subjects in Art. 6176 words.

This article explores Blake's reading of the Book of Job as a transformative text that shifts and changes meaning through its affective reception by readers. While the Enlightenment...

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