in Modern Moves
September 2015; p ublished online August 2015 .
Chapter. Subjects: Dance; Ethnomusicology. 7350 words.
Chapter two considers ragtime dancing among European immigrant youth within the contexts of American minstrelsy, African American migration, and European immigration. Based on period sheet...
in Martha Graham in Love and War
June 2012; p ublished online September 2012 .
Chapter. Subjects: Dance; American Music. 12291 words.
This chapter discusses Voyage (1953) as a forgotten Graham work that rejects myth for personal reasons and attempts to apply psycho-dramatic techniques to the creation of choreography. It...
in Who Was Who
P ublished online December 2007 .
Reference Entry. Subjects: Media Studies; Performing Arts; Music; Architecture; Art. 155 words.
Born Milan, 26 June 1933; m 1st, 1956, Giovanna Cavazzoni (marr. diss. 1968); one s one d; 2nd, Gabriella Cantalupi; one s; died 20 Jan. 2014
in American National Biography Online
January 1999; p ublished online February 2000 .
Reference Entry. Subjects: Theatre; Music Business, Institutions, and Organizations. 1225 words.
Abbey, Henry Eugene (27 June 1846–17 October 1896), theatrical and operatic manager and impresario, was born in Akron, Ohio, the son of Henry Stephen Abbey, a clockmaker and partner in a...
in Unworking Choreography
April 2017; p ublished online June 2017 .
Chapter. Subjects: Dance; Music Theory and Analysis. 5213 words.
This chapter explores the process of absenting in more radical terms that previously discussed in this book. More specifically, it attempts to move from absenting as a mere tendency of...
in Body Knowledge
September 2013; p ublished online January 2014 .
Chapter. Subjects: Dance; American Music. 14481 words.
Conceptualized as a return to the pure, communal, spiritual experience of ancient art, pageants have long been understood as a divergence from other early twentieth-century art and...
in Gestures of Music Theater
December 2013; p ublished online April 2014 .
Chapter. Subjects: Popular Music; Dance. 7556 words.
Focusing on what this chapter terms its “operatic” vocal score, this chapter offers a detailed analysis of Fiona Shaw’s performance as Winnie in Beckett”s Happy Days (1961), in Deborah...