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Aesthetic Keywords of the Studio

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 12298 words.

Along with new creative possibilities, the shift to computer-based digital audio production workflows has entailed a shift in the vocabularies used to describe the aesthetic qualities of...

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The Anatolian “Ethnic” Music Industry

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 18659 words.

Since the 1960s, Turkey’s recorded music industry has been structured similar to other Turkish business clusters, adopting an organizational form that relates to Ottoman craft guilds, and...

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Arranged Folklore in Early Republican Turkey

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 13489 words.

This chapter explores the demand for folklore within the context of early twentieth-century Turkish nationalism and language politics and how the products of folklore expeditions became...

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Arranged Music and the <i>Dönem</i> Filmi Genre

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 14525 words.

This chapter contains two case studies that build upon the book’s analytical framework and demonstrate the arrangement conventions of music within a contemporary film genre in Turkey known...

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Arrangement and Engineering

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 7281 words.

Chapter 1 introduces the concepts of arrangement and engineering and the professions of the arranger and engineer as they are conceived within Istanbul’s recorded music industry. Digital...

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Arranging the Black Sea

Eliot Bates.

in Digital Tradition

September 2016; p ublished online August 2016 .

Chapter. Subjects: Ethnomusicology; Popular Music. 14120 words.

Chapter 9 examines six different contemporary album recordings of music originating in the Eastern Black Sea (Karadeniz). All six songs make some kind of contemporary representation of the...

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At Home in the Studio

Shalini Ayyagari.

in Popular Music in India

December 2013; p ublished online January 2014 .

Chapter. Subjects: Ethnomusicology; Popular Music. 7857 words.

This chapter grapples with the changing interactions with sound as an object among the Manganiyar, a hereditary community of professional musicians in western Rajasthan, India. No longer...

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“Be True to Yourself”

Niko Higgins.

in Popular Music in India

December 2013; p ublished online January 2014 .

Chapter. Subjects: Ethnomusicology; Popular Music. 7179 words.

How does popular music reveal some of the tensions of urban 21st- century India? In Chennai, musicians combine elements of Western jazz, rock, and classical music with South Indian...

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The Beat Comes to India

Gregory D. Booth.

in Popular Music in India

December 2013; p ublished online January 2014 .

Chapter. Subjects: Ethnomusicology; Popular Music. 8131 words.

In the later 1960s, rock music became India’s first “youth music.” For the first time in independent India, a popular musical repertoire, being played (and in some cases created) by...

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Bollywood in the Era of Film Song Avatars

Paul D. Greene.

in Popular Music in India

December 2013; p ublished online January 2014 .

Chapter. Subjects: Ethnomusicology; Popular Music. 6992 words.

This chapter explores how the DJ-remixer, previously a marginal figure, has become an established part of the North Indian film music industry, and how film music is today experienced in...

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