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articulation

Overview page. Subjects: Media Studies.

1. In oral communication, control of the voice so as to produce clear and distinct sounds in speech.

2. (semiotics) Structural levels within semiotic...

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A New Romantic Theory of Expression

Jenefer Robinson.

in Deeper than Reason

April 2005; p ublished online February 2006 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 14138 words.

Artistic expression ‘is an activity of an artist that consists, roughly speaking, in the manifestation and elucidation of an emotional state of a persona in the expressive character of a...

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Ontogenesis

Xin Wei Sha.

in Poiesis and Enchantment in Topological Matter

February 2014; p ublished online September 2014 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 16082 words.

Armed with the concepts of the previous chapter, Chapter 5 turns to ontogenesis without a priori objects, developing the notions of distributed matter, substrate, plenum, and tissue. This...

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Why This Book?

Xin Wei Sha.

in Poiesis and Enchantment in Topological Matter

February 2014; p ublished online September 2014 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 7614 words.

Chapter 1 orients readers to what is at stake in computationally augmented and nondigital responsive media and responsive environments: the potential for ethico-aesthetic experiment. This...

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Introduction

John Paul Ricco.

in The Decision Between Us

March 2014; p ublished online September 2014 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 5811 words.

The Introduction provides an overview of the entire book and each of its chapters through a theoretical articulation of the principal terms of the book's title. In the first part, the...

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Seeing Time

in The Time of the Crime

April 2008; p ublished online June 2013 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 9101 words.

This chapter examines the relationship between time and the subject of perception Pier Paolo Pasolini's film Oedipus Rex. It analyzes the shots marking the encounter between the protagonist...

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Self-Unity and History

Richard Eldridge.

in Images of History

August 2016; p ublished online August 2016 .

Chapter. Subjects: History of Western Philosophy; Aesthetics and Philosophy of Art. 4007 words.

This chapter develops a conception of how human beings as historical subjects might best live productively within an ongoing tension between the attractions of Kant’s progressivist, liberal...

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Pouring Forth the Soul

Jenefer Robinson.

in Deeper than Reason

April 2005; p ublished online February 2006 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 10835 words.

R. G. Collingwood defended a Romantic theory of art as the expression of emotion, which was so effectively criticized by the philosopher Alan Tormey in 1971 that Collingwood's theory was...

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Between Language and Perception: Literary Metaphor<sup>1</sup>

Paul Crowther.

in Defining Art, Creating the Canon

March 2007; p ublished online May 2007 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 6726 words.

This chapter analyses metaphor as a kind of junction between rational articulation and perception. It argues that the tensional structure of metaphor embodies a constant in human...

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Afterness and the Image (II)

Gerhard Richter.

in Afterness

October 2011; p ublished online November 2015 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 6690 words.

This chapter examines whether, given the uncanny “thereness” of the image today, one might nevertheless theorize a certain withdrawal of the image. Conceptualized both as a physical object...

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From Beauty to Art: Developing Kant's Aesthetics

Paul Crowther.

in Defining Art, Creating the Canon

March 2007; p ublished online May 2007 .

Chapter. Subjects: Aesthetics and Philosophy of Art. 8541 words.

This chapter provides a sustained phenomenological development of Kant's aesthetics of beauty and theory of art. This allows both aesthetic experience and art's distinctive articulation of...

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