Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7289 words.
This chapter examines the relevance of the thoughts of Gilles Deleuze to the works of Allan Kaprow and Adrian Piper. It argues that Kaprow had made a shift akin to Deleuze's move from...
Becoming–Dinosaur: Collective Process and Movement Aesthetics
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7698 words.
This chapter offers an interpretation of the integrated dance theatre of the Restless Dance Company as involving a process of turning away from the determinations of intellectually disabled...
Expression and Affect in Kleist, Beckett and Deleuze
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7749 words.
This chapter examines the concepts of expression and affect in the works of Heinrich von Kleist, Samuel Beckett, and Gilles Deleuze. It suggests that Kleist, Beckett, and Edward...
I Artaud BwO: The Uses of Artaud's <i>To have done with the judgement of god</i>
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7799 words.
This chapter focuses on Gilles Deleuze's concept of body without organs (BWO), the Deleuzian idea which resonates most powerfully as a concept for and of performance. It provides a detailed...
Introduction
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 8925 words.
This introductory chapter explains the coverage of this book, which is about the relevance of Gilles Deleuze's philosophy to the performing arts or performance. It discusses the theatrical...
Like a Prosthesis: Critical Performance à Digital Deleuze
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7680 words.
This chapter focuses on Gilles Deleuze's theatres of movement and repetition. It proposes a ‘Digital Deleuze’ who provides a creative approach to mediality from which to consider the...
… of butterflies, bodies and biograms … Affective Spaces in Performativities in the Performance of <i>Madama Butterfly</i>
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7672 words.
This chapter aims to bridge the gap between the live and the mediated in her exposure of the performativity of movement in Franco Zeffirelli's film of the operatic performance Madama...
Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 8050 words.
This chapter aims to establish the relation between contemporary VJing and the works of Anton Chekhov and Aeschylus through the philosophical thoughts of Gilles Deleuze and Félix Guattari....
Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 5976 words.
This chapter address the value of Deleuzian ideas for performance. It attempts to establish the connection of Gilles Deleuze's works with various practitioners including Bertolt Brecht, the...
Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 6700 words.
This chapter explores the notion of territory in the works of both Gilles Deleuze and Martin Heidegger. It examines whether race and its minor theatre want a dwelling place and investigates...
sub specie durationis
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 8968 words.
This chapter explores Gilles Deleuze's Bergsonism and the notion of multiplicity with respect to latitude and longitude, and the relation between the spatial and the temporal in...
The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 8766 words.
This chapter focuses on the so-called arithmetic of rhythm and the digital technologies for dance. It discusses dancer and choreographer Merce Cunningham's view that choreography can and...
A Theatre of Subtractive Extinction: Bene Without Deleuze
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 7965 words.
This chapter examines the relevance of Gilles Deleuze's work for the works of Italian director Carmelo Bene. It argues that Deleuze's One Less Manifesto conceived the theatre of continuous...
Thinking Through Theatre
in Deleuze and Performance
May 2005; p ublished online March 2012 .
Chapter. Subjects: Philosophy. 5666 words.
This chapter explores the relationship between theatre and thinking through a confrontation of Gilles Deleuze and Félix Guattari's philosophical staging of thinking with Ivana Müller's...
