Chapter

Structural Communication

Anders Friberg and Giovanni Umberto Battel

in The Science & Psychology of Music Performance

Published in print April 2002 | ISBN: 9780195138108
Published online October 2011 | e-ISBN: 9780199849291 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780195138108.003.0013
Structural Communication

Show Summary Details

Preview

Variations in timing and dynamics play an essential role in music performance. This is easily shown by having a computer perform a classical piece exactly as written in the score. The result is dull and will probably not affect us in any positive manner, although there may be plenty of potentially beautiful passages in the score. A musician can, by changing the performance of a piece, totally change its emotional character, for example, from sad to happy. How is this possible, and what are the basic techniques used to accomplish such a change? The key is how the musical structure is communicated. Therefore, a good understanding of structure — whether theoretic or intuitive — is a prerequisite for a convincing musical performance. This chapter surveys the basic principles and techniques that musicians use to convey and project music structure, focusing on auditory communication.

Keywords: music performance; timing; music structure; auditory communication

Chapter.  7628 words.  Illustrated.

Subjects: Music Theory and Analysis

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.