Chapter

Conclusion

Donald Maurice

in Bartók's Viola Concerto

Published in print March 2004 | ISBN: 9780195156904
Published online May 2008 | e-ISBN: 9780199868339 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780195156904.003.0012

Series: Studies in Musical Genesis and Structure

Conclusion

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This chapter summarizes the contents of the book and attention is drawn to the appendixes in the book, which introduce many documents and correspondence previously unavailable in the public domain. The issue of authenticity is addressed and it is suggested that in the future research in this study may assist a worthy craftsperson to produce a more authentic Bartók Viola Concerto, when the restrictions of copyright will allow the freedom of musical expression. It would require a composer thoroughly steeped in Bartók's compositional style and technique, who would dare to add both vertically and horizontally, to recompose, to revise, and to continue to refine the texture and orchestration until the result was consistently representative of Bartók at the height of his creative powers.

Keywords: public domain; authenticity; copyright; musical expression; compositional style; creative powers

Chapter.  768 words. 

Subjects: Musicology and Music History

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