Foundations of the Schenker Project

Nicholas Cook

in The Schenker Project

Published in print October 2007 | ISBN: 9780195170566
Published online September 2008 | e-ISBN: 9780199871216 | DOI:
Foundations of the Schenker Project

Show Summary Details


Basic aspects of Schenker's later thought can be traced to the 1890s, when Schenker was active in composition, performance, and music criticism. This chapter situates these activities in the contemporary Viennese context, emphasizing the relationship between Schenker and Eduard Hanslick. It outlines aspects of the idealist philosophy which coloured his thinking and criticizes recent approaches to the philosophical dimension of Schenker's thought. It traces the changes in Schenker's thinking about music — and in particular the concept of musical “logic” — that underpinned the development of his later theory. Much of the discussion is focussed round his early essay “The spirit of musical technique’ (1895), a new translation of which (by William Pastille) is included as an appendix.

Keywords: philosophy; criticism; Eduard Hanslick; musical logic; composition; performance

Chapter.  30266 words. 

Subjects: Ethnomusicology

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.