Chapter

Gautier’s “Diva”

J. Q. Davies

in The Arts of the Prima Donna in the Long Nineteenth Century

Published in print June 2012 | ISBN: 9780195365870
Published online September 2012 | e-ISBN: 9780199932054 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780195365870.003.0008
Gautier’s “Diva”

Show Summary Details

Preview

This chapter is dedicated to elucidating the complex of meanings of the word “diva,” suggesting that this term was not associated originally with its modern connotations of ego and celebrity. Instead, it shows how the term in its earliest French operatic usage denoted a fantastical creature of multiple overlapping subjectivities, depicted ironically and cultivated in the colorful, phantasmagorical writings of Gautier. Investigating two poems and a children’s tale, this book observes how Gautier drew on contemporary phenomena (such as performances of duets by famous prima donnas, particularly the Grisi sisters), and ancient definitions of the diva as a three-form goddess. In so doing it outlines the various cultural ambiguities that once surrounded this term, and demonstrates how Gautier’s originally ironic intentions may have enabled the current meaning of the term “diva” to emerge.

Keywords: subjectivities; diva; Gautier; Grisi; goddess; three-form

Chapter.  11513 words.  Illustrated.

Subjects: Opera

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.