Book

Changing the Score

Hilary Poriss

Published in print August 2009 | ISBN: 9780195386714
Published online October 2011 | e-ISBN: 9780199852512 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780195386714.001.0001

Series: AMS Studies in Music

Changing the Score

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This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher’s difficulties in finding a “perfect” aria to introduce into Donizetti’s Marino Faliero; Guiditta Pasta’s performance of an aria from Pacini’s Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran’s interpolation of Vaccai’s final scene from Giulietta e Romeo in place of Bellini’s original setting in his I Capuleti e i Montecchi; and Adelina Patti’s “mini-concerts” in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, “Memoir of a Song,” narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849.

Keywords: aria insertion; Italian opera; Carolina Ungher; Guiditta Pasta; Maria Malibran; Adelina Patti; Pacini

Book.  240 pages.  Illustrated.

Subjects: Opera

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Table of Contents

Introduction in Changing the Score

Chapter

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A Discourse of Change in Changing the Score

Chapter

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An Insertion Aria Speaks in Changing the Score

Chapter

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