Chapter

Representations of Place and Time

Benjamin Brinner

in Playing across a Divide

Published in print December 2009 | ISBN: 9780195395945
Published online October 2011 | e-ISBN: 9780199852666 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780195395945.003.0011
Representations of Place and Time

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With music, words, and images, the musicians in Israel's ethnic music scene map the past, present, and future of their cultural terrain. They refer to places, times, and heritages through their choices of titles for compositions, albums, and ensembles. The images in their publicity and CD covers are tools for evoking particular historical, geographical, and cultural associations, while the texts of publicity materials and liner notes convey more explicit messages that reiterate or augment these images. Compared to Alei Hazayit and Bustan Abraham, Yair Dalal has deployed the richest array of symbols with his lushly illustrated, multipage CD booklets, his numerous referential composition titles, and the press materials that adorn his Web site. Members of Bustan Abraham were strikingly wary of political interpretations. Their Live Concerts, issued two years after the group's demise, bears the trace of that sociopolitical reality on the band's oeuvre.

Keywords: Alei Hazayit; Bustan Abraham; Yair Dalal; CD; covers; booklets; Live Concerts; music scene

Chapter.  6735 words. 

Subjects: Ethnomusicology

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