Chapter

<b>From Theodicy to Melodrama</b>

Francesca Aran Murphy

in God Is Not a Story

Published in print July 2007 | ISBN: 9780199219285
Published online September 2007 | e-ISBN: 9780191711664 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199219285.003.0004
 From Theodicy to Melodrama

Show Summary Details

Preview

Thomas Aquinas first gave an empirical or inferential argument for the existence of a transcendent God and then dealt with the problem of evil empirically. But if one considers God's existence on a logical or deductive level, the problem of evil will come in pursuit on a logical level, or as the logical concomitant of ‘good’. Because it cannot draw on knowledge of the transcendent reality of God's goodness, modern thought tends to picture good and evil as set in melodramatic confrontation. The ‘Unknowable God’ is easily conflated with his opposite number, Satan. Jenson's narrative theology falls into the trap of melodrama by making evil a necessary feature of reality, existing because of Christ, and grammatical Thomism does so by evading the problem of evil via its agnosticism about our knowledge of God and his goodness. Given that God is not as unknown in Thomas' own theology as in grammatical Thomism, the best way forward is to use our knowledge of God's goodness first to appreciate the value of created reality as such, and second to restate Augustine's merely factual or empirical explanation of evil via the Fall. One may then say that what Job experiences is the love of God.

Keywords: goodness; tragedy; comedy; fall; Kant; Hegel; Job; irrational; Poetic Justice

Chapter.  21154 words. 

Subjects: Christian Theology

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.