Nearly fifty years on from the Lady Chatterley's Lover trial and over forty years from the abolition of theatre censorship, the new threat to free speech in the story-telling arts comes not from the nanny state but from a public demanding the right to be protected from offensive images. Newspaper attacks on representations of wicked people and their acts — at a time when victims' rights are being vigorously asserted — have blurred the distinction between the real and the imagined, and contributed to a climate in which the value of storytelling is downgraded and free speech made vulnerable. Understanding why some groups want to assert their right not to be offended, it is argued that it is beneficial for minority groups to protect free speech and the rights of artists to free expression, even when their work deals with the extremes of human behaviour.
Keywords: free speech; censorship; theatre; victims; Lady Chatterley's Lover; offensive images
Chapter. 7963 words.
Subjects: Human Rights and Immigration
Full text: subscription required