Chapter

Thrēnos and Ritual Lament

L. A. Swift

in The Hidden Chorus

Published in print January 2010 | ISBN: 9780199577842
Published online May 2010 | e-ISBN: 9780191722622 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199577842.003.0008

Series: Oxford Classical Monographs

Thrēnos and Ritual Lament

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This chapter explores how Greek tragedy evokes Thrēnos and other forms of ritual funerary song. The chapter begins with a discussion of the Greek ritual lament, and seeks continuities between the various forms such as women's lament, Thrēnos, funerary epigram. It also discusses the role that funerary legislation played in changing the nature of funeral song, and the effect that this would have had on a fifth‐century audience's understanding of ritual lament. The chapter discusses three plays which place particular emphasis on the conventions of lament: Aeschylus' Persians, Sophocles' Electra, and Euripides' Alcestis. Each of these plays uses lament to represent ethical ideas to do with moderation and social convention, highlighting the politicized role that lamentation had accrued by this period.

Keywords: tragedy; Thrēnos; lament; ritual; funeral; Aeschylus; Sophocles; Euripides; Persians; Electra; Alcestis; funerary legislation

Chapter.  27139 words. 

Subjects: Classical Literature

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