Chapter

Conceptual framework

Dianna T. Kenny

in The Psychology of Music Performance Anxiety

Published in print June 2011 | ISBN: 9780199586141
Published online January 2012 | e-ISBN: 9780191731129 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199586141.003.0016
Conceptual framework

Show Summary Details

Preview

This chapter develops a conceptual framework from which to theorize music performance anxiety. It reviews some of the philosophies, such as Cartesian dualism, and research methods such as nomothetic (study of groups or populations) and idiographic (study of the individual) approaches underpinning psychology in order to explicate the concepts and models used in this book to further the understanding of music performance anxiety. It examines definitions and biological and environmental origins of anxiety, and discusses some the key theories of anxiety, including general adaptation syndrome, the generality and specificity models of anxiety, polyvagal theory, and conditioning models derived from learning theory. Emotions, moods, and traits are distinguished along three dimensions — their temporal characteristics, level of awareness, and degree of involvement of bodily states. The discussion concludes with an analysis of the characteristics of two cognitive phenomena involved in anxiety disorders — worry and rumination.

Keywords: music performance anxiety; Cartesian dualism; general adaptation syndrome; polyvagal theory; conditioning models; worry; rumination

Chapter.  9233 words. 

Subjects: Music Theory and Analysis

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.