Chapter

The <i>Lambeth Apocalypse</i>

Natasha O'Hear

in Contrasting Images of the Book of Revelation in Late Medieval and Early Modern Art

Published in print February 2011 | ISBN: 9780199590100
Published online May 2011 | e-ISBN: 9780191725678 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199590100.003.0002

Series: Oxford Theological Monographs

The Lambeth Apocalypse

Show Summary Details

Preview

Chapter 1 presents the Lambeth Apocalypse Manuscript (hereafter Lambeth) as a key example of the thirteenth‐century Anelo‐Norman illustrated Apocalypse devotional manuscript tradition. This manuscript tradition and its particular features are discussed, as a precursor to the analysis of Lambeth itself. The Berengaudus Commentary, the commentary which accompanies many of the Anglo‐Norman Apocalypses, including Lambeth, is also discussed as is its place within the tradition of commentaries on the Book of Revelation in general. The remainder of the chapter is concerned exclusively with the distinctive features of Lambeth, including its female patron, the presentation of the John figure, the effect of the additional miniatures, and its visual interweaving of contemporary theological and wider issues within its presentation of the source‐text. The nature of the Lambeth reading/viewing experience and in particular the effect of the interaction between the text, commentary, and miniatures remain in focus throughout the chapter.

Keywords: Lambeth; private/devotional; Berengaudus Commentary; John; female patron; additional miniatures; reading/viewing experience

Chapter.  15361 words. 

Subjects: History of Christianity

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.