Chapter

Mignon’s Modern and Postmodern Survivals

Terence Cave

in Mignon's Afterlives

Published in print September 2011 | ISBN: 9780199604807
Published online January 2012 | e-ISBN: 9780191731624 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199604807.003.0006
Mignon’s Modern and Postmodern Survivals

Show Summary Details

Preview

Mignon’s fortunes in the twentieth century are explored in this chapter primarily through works in which she passes over the threshold of sexual maturity and encounters exploitation and corruption, e.g. Wedekind’s Lulu plays (and Berg’s opera), Gerhart Hauptmann’s novella Mignon, and Angela Carter’s Nights at the Circus: the fall of Lulu and the short-lived ‘rescue’ of Aga-Mignon by Hauptmann’s unreliable narrator are counterbalanced by a more positive denouement in Carter’s magic realist plot. This chapter also discusses an allusion to Thomas’s opera in Joyce’s ‘The Dead’ and the interest of Maria Kaschnitz for Mignon, whom she turns in an early novel into a figure of eternal return. Films featuring Mignon (including Wim Wenders’s Falsche Bewegung) are reviewed, and the chapter ends with an American novel (by Kim Chernin) of the dawning twenty-first century in which Mignon appears as an object of homoerotic desire.

Keywords: sexual maturity; exploitation; unreliable narrator; magic realism; eternal return; homoerotic desire; Wedekind; Hauptmann; Angela Carter

Chapter.  20076 words. 

Subjects: Literature

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.