Chapter

Introduction

Natalie Pollard

in Speaking to You

Published in print August 2012 | ISBN: 9780199657001
Published online September 2012 | e-ISBN: 9780191742194 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199657001.003.0001
Introduction

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The Introduction engages the literary history of address, from Shelley's Romantic account of the poem's pronouns ‘I, you, he, she’ as merely ‘modifications of the one mind’, to John Stuart Mill's account of the poem as secondarily ‘overheard’ by audiences who have no part in the poem's shaping, to T. S. Eliot's active listener in a poetic drama, and on to the effects of Culler's and Paul de Man's theories of address and apostrophe as ‘interiorization’. It offers readings of several contemporary poets who use address, in order to advance the claim that saying you is a public and political act, engaged in negotiations of identity, nationhood, and regional belonging or estrangement from communities. It also flags up how later poets use address to speak back to Modernist and Movement writers, and details what is at stake politically in poets’ engagement, both critically and complimentarily, with a culture's literary inheritance.

Keywords: contemporary; modernist; public; address; poetry; pronouns; you; Eliot; Pound; Larkin

Chapter.  17080 words. 

Subjects: Literary Studies (Poetry and Poets)

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