Scarlett Baron

in ‘Strandentwining Cable’

Published in print November 2011 | ISBN: 9780199693788
Published online January 2012 | e-ISBN: 9780191732157 | DOI:

Series: Oxford English Monographs


More Like This

Show all results sharing this subject:

  • Literary Studies (20th Century onwards)


Show Summary Details


Chapter 2 is devoted to a close intertextual reading of both authors’ collections of stories, Trois Contes (1877) and Dubliners (1914). The argument focuses on the word ‘gnomon’, which famously appears in italics in the opening paragraph of Joyce’s collection, and which affiliates it to Flaubert’s short story, ‘Hérodias’, in which it also features. The use of this rare word is read as a gesture of acknowledgement on Joyce’s part, indicating a subtle but extensive semantic, thematic, symbolic, and structural intertextuality between his and Flaubert’s short stories. The chapter also considers Joyce’s response on a technical level, exploring the modes of his elaborations on Flaubert in such areas as the splicing of the realistic and the symbolic, the blurring of the boundaries between the static and the dynamic, and the deployment of cinematographic writing.

Keywords: realism; gnomon; geometry; impersonality; self-consciousness; photographic writing; cinematographic writing; irony; reversibility

Chapter.  12307 words.  Illustrated.

Subjects: Literary Studies (20th Century onwards)

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.