Accidents Going Somewhere to Happen

Steven Belletto

in No Accident, Comrade

Published in print December 2011 | ISBN: 9780199826889
Published online May 2012 | e-ISBN: 9780199932382 | DOI:
Accidents Going Somewhere to Happen

More Like This

Show all results sharing this subject:

  • Literary Studies (20th Century onwards)


Show Summary Details


Beginning with a discussion of Colson Whitehead’s more recent novel The Intuitionist (1999), chapter four covers a range of works, from the most influential African-American novels of mid-century, Richard Wright’s Native Son (1940) and Ralph Ellison’s Invisible Man (1952), to less frequently discussed works such as Wright’s own second novel, The Outsider (1953), and John A. Williams’ The Man Who Cried I Am! (1967). The chapter demonstrates how African Americans writers dramatized a sense of being caught between the competing systems of control represented by Communism on the one hand, and the promise of American democratic freedom on the other. Tracing an arc from Native Son to The Man Who Cried I Am!, the chapter demonstrates the ever-changing relationship between the individual and political rhetoric by showing how the denial of chance was first attributed to Communists, who in Invisible Man simply want to control African Americans for their own purposes, and then moves finally The Man Who Cried I Am!, which shows that, from a black perspective, American democracy masks a fantasy of complete control.

Keywords: African-American literature and the Cold War; race and communism; Ralph Ellison; Invisible Man (1952); Richard Wright; The Outsider (1953); John A. Williams; The Man Who Cried I Am (1967); Colson Whitehead; The Intuitionist (1999)

Chapter.  10495 words. 

Subjects: Literary Studies (20th Century onwards)

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.