Chapter

Looking Backward?

Michael Gibbs Hill

in Lin Shu, Inc.

Published in print November 2012 | ISBN: 9780199892884
Published online January 2013 | e-ISBN: 9780199980062 | DOI: http://dx.doi.org/10.1093/acprof:oso/9780199892884.003.0005

Series: Global Asias

Looking Backward?

Show Summary Details

Preview

Through the American writer Washington Irving (1783–1859), Lin Shu conjured a kindred soul. The role of Irving is at least if not more important than Dickens for understanding the course of Lin Shu’s cultural project. Lin’s imagined communion with Irving in versions of works like The Sketch Book yielded new depth in his views on translation, language, and cultural identity and serves as a signpost in his move toward a traditionalist cultural politics that reached maturity in the decade following the 1911 overthrow of the Qing state. The nostalgia and antiquarianism that suffused Irving’s works spoke directly to Lin’s concerns about the fate of long-held but fading cultural values during China’s political and economic crisis at the turn of the twentieth century.

Keywords: translation; nostalgia; conservatism; Irving, Washington; The Sketch Book

Chapter.  13113 words.  Illustrated.

Subjects: Literature

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.