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(b Halle, 23 Feb 1685; d London, 14 April 1759 ). English composer of German birth. Though consistently acknowledged as one of the greatest composers of his age, his reputation from his death to the early 20th century rested largely on the knowledge of a small number of orchestral works and oratorios, Messiah in particular. In fact, he contributed to every musical genre current in his time, both vocal and instrumental. The composition of operas, mainly on Italian librettos, dominated the earlier part of his career, and are the finest (though not the most typical) of their kind. In his later years his commitment to large-scale vocal works, usually with a strong dramatic element, found a more individual outlet in English oratorio, a genre that he invented and established.
Keywords: Halle; Hamburg; Italy; Hanover, Düsseldorf and London; Cannons; The Royal Academy of Music; The Second Academy; Opera at Covent Garden; From opera to oratorio; Oratorios and musical dramas; The later oratorios; Last years; Personality; Style and technique; Borrowing; Keyboard music; Instrumental chamber music; Orchestral music; Minor vocal works; Church music; Operas; Oratorio forms; Handel and posterity; Sources and editions
Reference Entry. 54059 words. Illustrated.
Subjects: music
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