Preview
The poet Charles Simic is obsessed with images. Images are the primary matrix of his poetry, and in that poetry it is the images which perform what he calls a critique of language. This article uses the figure of insomnia—a common image in Simic's poems—to explore the nature of this critique. According to Simic, poetic images change the meaning of meaning: a language that valorises the poetic image is one that does not seek secure signification in order to be valuable. This type of language evokes an asubjective presence that is also an absence, a recognition of a metaphysical emptiness that lies at the limits of consciousness. For Simic, this sense of presence is a secular experience of the divine.
Journal Article. 0 words.
Subjects: Literature ; Religion and Art, Literature, and Music
Go to Oxford Journals » abstract
Full text: subscription required
How to subscribe Recommend to my Librarian
Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.