Chapter

Representations of suicide in cinema

Gérard Camy

in Oxford Textbook of Suicidology and Suicide Prevention

Published on behalf of Oxford University Press

ISBN: 9780198570059
Published online July 2011 | e-ISBN: 9780199640461 | DOI: http://dx.doi.org/10.1093/med/9780198570059.003.0071

Series: Oxford Textbooks

Representations of suicide in cinema

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In this chapter, representations of suicide in fiction film from the United States, Europe and South East Asia will be presented. Cinematic representations are helpful in addressing discourses on suicide worldwide. Typically, the sufferings of the characters that consider suicide or take their lives occupy a minor part of the plot in scenarios that highlight action, cultural and social reflection, or existential interrogations. In typical Hollywood dramas, redemption, punishment, lost love and solitude are the prime reasons for suicides; often as a consequence of genuine injustice. In the European films discussed, suicides on screen often attempt to open the screenplay to comments and reflections on the various tragic circumstances that bring the protagonists to such extremities. Refusal to recognize oneself in and by society appears to be an important reason for suicide. Another recurring theme is the wish to understand the motives behind the voluntary death of a peer. Much South East Asian cinema reflects the malaise of a society, its interiorized violence, fascination with death and the distress of a youth lacking excitement.

Chapter.  8299 words. 

Subjects: Psychiatry

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