A minor genre of poetry which has some importance in 17th-century English verse. It is defined by its subject-matter, which is the fruitfulness and stability of a patron's country estate, and the patron's own conservative virtues. Ben Jonson's ‘To Penshurst’ (1616) is the model in English, based partly on Latin poems by Martial and Horace. Later examples include Thomas Carew's ‘To Saxham’ (1640), and Andrew Marvell's ‘Upon Appleton House’ (written c.1652). For a fuller account, consult Malcolm Kelsall, The Great Good Place: The Country House in English Literature (1993).