Overview

François Couperin

(1668—1733) French composer, organist, and harpsichordist


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Arcangelo Corelli (1653—1713) Italian violinist and composer

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'François Couperin' can also refer to...

François Couperin

Couperin, François (1668)

Couperin, François (1668)

Couperin, François (1668–1733)

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Repeat signs and binary form in François Couperin's Pièces de clavecin

Louis Couperin (1626 - 1661), Composer, harpsichordist, organist, viol player and François Couperin i (born 1631), Keyboard player and Charles Couperin ii (died 1679), Organist and François Couperin ii (1668 - 1733), Composer, harpsichordist, organist and Marguerite-Louise Couperin (died 1728), Singer, harpsichordist and Nicolas Couperin (1680 - 1748), Organist, composer and Marguerite-Antoinette Couperin (1705 - 1778), Harpsichordist and Armand-Louis Couperin (1727 - 1789), Composer, organist, harpsichordist and Pierre-Louis Couperin (1755 - 1789), Composer, organist and Gervais-François Couperin (1759 - 1826), Composer, organist

An Unexpected Champion of François Couperin: Johannes Brahms and the ‘Pièces de Clavecin’

The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. By Jane Clark and Derek Connon.

François Couperin and the Stuart court at Saint-Germain-en-Laye, 1691–1712; a new interpretation

‘Souvent dans le plus doux sort’: notes on a newly discovered autograph letter and drinking song by François Couperin

François Couperin and ‘The Perfection of Music’. By David Tunley, pp. viii + 167. (Ashgate, Aldershot and Burlington, Vt., 2004, £45. ISBN 0-7546-0928-6).

 

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(b Paris, 1668; d Paris, 1733).

Fr. composer, harpsichordist, and organist, the most distinguished of his family, known as ‘Couperin le Grand’ because of his prowess as an organist. Taught by his father Charles and by Jacques Thomelin. Became org. of St Gervais, Paris, in 1685, holding post until his death. In 1693 succeeded Thomelin as org. of Royal chapel, with the title ‘organiste du Roi’ (Louis XIV). In 1717 became ‘ordinaire de la musique de la chambre du Roi’, acknowledgement of his special position in the court. On almost every Sunday Couperin and colleagues gave chamber concerts for the king, for which he comp. what he called ‘Concerts’. These are in the form of suites and may have been intended for the hpd., of which he was a virtuoso, but were probably perf. on vn., viol, ob., bn., and hpd. (clavecin). Couperin was greatly influenced by Corelli and introduced into Fr. the Italian's trio‐sonata form, himself publishing in 1726 Les Nations, a set of 4 Suites (Ordres) for 2 vn. and hpd. Also comp. ‘grand trio sonata’ sub‐titled Le Parnasse, ou l'Apothéose de Corelli. In 1716 pubd. famous book L'Art de toucher le clavecin, containing instructions for fingering, methods of touch, and execution of agréments (ornamentation) in performing his hpd. pieces. This had strong influence on Bach. His 4 pubd. vols. of hpd. works contain over 230 pieces which proclaim him a supreme master of the kbd. Most have picturesque or descriptive titles and are like miniature tone‐poems. This perhaps is a clue to their appeal to Richard Strauss, who orchestrated several Couperin pieces. First complete edn. of Couperin's hpd. mus. was prepared by Brahms and Chrysander, 1871–88. Ravel comp. a 20th‐cent. tribute to him in Le tombeau de Couperin (1914–17). Prin. works:

chamber music:

Quatre Concerts Royaux

(1722);

Les Goûts‐Réunis ou Nouveaux Concerts

(10 Concerts incl. the ‘Corelli’ Grand Trio, 1724);

Les Nations

(4 Ordres for 2 str. and hpd. 1726);

Concert instrumental

(‘in memory of the immortal Lully’, 1725).

harpsichord:

Pièces de Clavecin

, Book 1 (5 Ordres, 1713), Book 2 (7 Ordres, 1717), Book 3 (7 Ordres, 1722), Book 4 (8 Ordres, 1730).

organ:

42 Pièces d'orgue consistantes en deux Messes (1690).

Also songs and religious works.

Subjects: Music.


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