(fl c. 1380– after 1416). Franco-Flemish draughtsman. He signed a sketchbook (Berlin, Staatsbib., lib. pict. A 74) consisting of studies of a variety of physiognomic types, occasional drawings of animals and a few more developed scenes of a pilgrimage, an innovative Man of Sorrows, an Annunciation and a Coronation of the Virgin. The stylistic, thematic and compositional similarities of some of these drawings, executed in grisaille on box-wood leaves, with manuscript illumination produced for Jean, Duc de Berry, especially those for the Hours of the Holy Ghost in the Très Belles Heures de Notre Dame (Paris, Bib. N., MS. nouv. acq. lat. 3093), suggest that Daliwe was employed at the Duc de Berry's court c. 1380–1416. The drawings are thought to be trial sketches. They fall into four stylistic groups: one showing affinities with the style of Jacquemart de Hesdin and André Beauneveu; naturalistic studies related to the miniatures of the Livre de chasse (c. 1405–10; Paris, Bib. N., MS. fr. 616); sketches related to Burgundian art influenced by the Limbourg brothers; and drawings associated with the French court style of the 1420s. It has also been suggested that Daliwe was influenced by the Italianate art of Spain and of the court at Avignon.
From The Grove Encyclopedia of Northern Renaissance Art in Oxford Reference.
Subjects: Renaissance Art.