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Samuel Daniel

(1562—1619) poet and historian


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'Samuel Daniel' can also refer to...

‘A Fit Memorial for the Times to Come …’: Admonition and Topical Application in Mary Sidney's Antonius and Samuel Daniel's Cleopatra

‘A stranger borne / To be indenized with us, and made our owne’: Samuel Daniel and the naturalisation of Italian literary forms

Benjamin Britten and Samuel Barber: Their Lives and their Music. By Daniel Felsenfeld. pp. xii + 180; CD. Parallel Lives, 2. (Amadeus Press, Pompton Plains, NJ and Cambridge, 2005, $19.95. ISBN 1-57467-108-1.)

Broughton, Samuel Daniel (1787-1837), military surgeon

Daniel K. L. Chua. The “Galitzin” Quartets of Beethoven. Princeton: Princeton University Press, 1995; Robert Samuels. Mahler's Sixth Symphony: A Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, no. 5. Cambridge: Cambridge University Press, 1995

Daniel, Samuel

Daniel, Samuel (1562–1619)

Daniel, Samuel (1562–1619)

Daniel, Samuel (1562–1619)

Daniel, Samuel (?1562–1619)

Daniel, Samuel (?1562–1619)

Daniel, Samuel (1562–1619)

Daniel, Samuel (1562/1563-1619), poet and historian

Daniel, Samuel (1563–1619)

Daniel, Samuel (1563–1619)

DANIEL, Samuel (born 1808), Engraver, medallist

Daniel, Samuel (c.1562–1619)

Daniel, Samuel (c.1563–1619)

‘Meditative Morality’: Wordsworth and Samuel Daniel

Negotiating a Marriage for Lady Anne Clifford: Samuel Daniel’s Advice

Nujoma, Samuel Daniel (b. 12 Mar. 1929)

Samuel Daniel (1563–1619)

Samuel Daniel (1563–1619)

Samuel Daniel Broughton (1787—1837) military surgeon

, Samuel de Lange i (1811 - 1884), Organist, composer and , Samuel de Lange ii (1840 - 1911), Organist, composer and , Daniël de Lange (1841 - 1918), Composer, educationist, writer on music

Samuels, Daniel (1917)

SAMUELS, Daniel (born 1917), Painter, illustrator, designer

‘THOSE GRAUE PRESENTMENTS OF ANTIQUITIE’ SAMUEL DANIEL'S PHILOTAS AND THE EARL OF ESSEX

Wyttenbach, David Samuel Daniel, der Ältere (1706–79)

 

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(1563–1619),

became tutor of William Herbert, third earl of Pembroke, and later to Lady Anne Clifford, daughter of the countess of Cumberland. In 1592 he published Delia, a collection of sonnets inspired by Tasso and Desportes, to which was appended the ‘Complaint of Rosamund’. Spenser mentioned him by name in Colin Clouts Come Home Againe.

Daniel made the transition to tragedy with Cleopatra (1594), a Senecan tragedy; ‘Musophilus: Containing a generall defence of learning’ appeared in 1599. In 1603 he published his verse ‘Epistles’ and A Defence of Ryme, the last being a reply to T. Campion's Observations in the Art of English Poesie. His career as a court poet developed with his masques and plays. He was licenser for the Children of the Queen's Revels from 1604 to 1605. His tragedy Philotas, performed in 1604, caused a row for its close and sympathetic allusion to the rebellion of the earl of Essex in 1600 and the play was suppressed. Daniel affixed an ‘Apology’ when the play was published in 1605. His weightiest work was his Civil Wars (1595–1609). Jonson called Daniel ‘a good honest Man,…but no poet’; other contemporaries esteemed him, such as W. Browne who called him ‘Well‐languag'd Danyel’. In later times his greatest admirers have been in the Romantic period including Lamb, Wordsworth, and Coleridge.

Subjects: literature.


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