monthly journal of literary criticism, was founded at Chicago as a conservative review. In 1892 it became a fortnightly, continuing the original policy until 1918, when it was moved to New York. New contributing editors, including Conrad Aiken, H. E. Stearns, Randolph Bourne, and Van Wyck Brooks, made it a radical journal of opinion, publishing such previously taboo authors as Dewey, Veblen, Laski, Beard, and R. M. Lovett. Under Scofield Thayer, after 1920, The Dial became the most distinguished literary monthly in the U.S. to champion modern artistic movements. It drew contributors from many nations and had as associates Thomas Mann, T. S. Eliot, James Stephens, and Paul Morand. It printed virtually all the distinguished authors of the period, and was noted also for its fine reproductions of modern graphic art. Marianne Moore was editor after 1926.