(b Nuremberg, bapt 6 Oct 1567; d Nuremberg, 1631 or later). German goldsmith, engraver and medallist. The son of the goldsmith Paul Flindt I (fl 1567; d 1582), he became a master in Nuremberg in 1601, after a lengthy stay in Vienna. A variant of his pf monogram was pvn, for Paul Vlindt Norimbergensis. Apart from a few lead plaques, only one securely attributable piece of his goldsmith work is known, an embossed oval gold-plated silver tray with figural motifs (1606; Moscow, Patriarch's Pal.). Although he maintained only a small workshop, Flindt exercised a major influence on the development of ornament in the goldsmith work of his time, especially through his serial engravings (over 200 sheets; 1592–1618; see 1985 exh. cat., nos 409–24, 461, 463–6) of all sorts of ornate pieces, garnished with ribbon- and band-ornament and rich figurative centres. These delicately shadowed, plastically modelled sheets, with their Mannerist motifs, created under the influence of Wenzel Jamnitzer, Jost Amman, Hendrick Goltzius and others, were taken by many goldsmiths as ‘classical’ models for their own work. It has been claimed that Flindt invented the embossing technique of copper-engraving, but this had already been practised before him, in Augsburg.
From The Grove Encyclopedia of Northern Renaissance Art in Oxford Reference.
Subjects: Renaissance Art.