(fl c. 1460; d after 1501). German illuminator. He spent most of his career in Regensburg, and his workshop comprised the only group of painters of significance operating there at that time. The influences from which he formulated his style were from Nuremberg (Michael Wolgemut), Vienna (Martinus ‘opifex’ of the Austrian court school, who worked for a time in Regensburg) and the Netherlands. His hand is found in 14 manuscripts (c. 1465–1500), including illustrated copies of the Old Testament, missals and an astronomical manuscript. His style is characterized by somewhat bland facial expressions and calm figure compositions with little sense of movement. He used vibrant coloured contrasts and set the scenes and figures in verdant landscapes with hills and mountains. Rich decorative borders incorporate flowers, fruit and foliage ingeniously adapted as framing devices for the miniatures.
From The Grove Encyclopedia of Northern Renaissance Art in Oxford Reference.
Subjects: Renaissance Art.