(fl early 16th century). Austrian painter and woodcutter. He is named after two altarpiece wings with three scenes from the Legend of SS Cosmas and Damian: the Miraculous Healing of the Leg, A Husband Commending his Wife to the Saints and the Delivery of the False Message by the Devil (Vienna, Ksthist. Mus.). He is thought to have been the earliest disciple of Lucas Cranach the elder in Austria and to have been later influenced by both Albrecht Altdorfer (see Altdorfer, (1)) and Jörg Breu the elder (see Breu, (1)). His rather stately figures are in splayed-out, often affected poses, with the feet and knees twisted outwards, appearing almost dislocated. The heads have high foreheads and flat, slightly upturned noses; long shadows run down in parallel lines from the eyes.
From The Grove Encyclopedia of Northern Renaissance Art in Oxford Reference.
Subjects: Renaissance Art.