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(It.: ‘repentance’).

Term describing a part of a picture that has been overpainted by the artist but which has become visible again (often as a ghostly outline) because the upper layer of pigment has become semi-transparent with age. The presence of pentimenti is often used as an argument in matters of attribution, as it is felt that such evidence of an artist's second thoughts is much more likely to occur in an original painting than in a copy.

Subjects: Art.

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