(fl 1521–80). French painter, sculptor and engraver. Born at Gray or Pesmes (both in Haute-Saône), he began work in Dijon, on ephemeral decorations for the ceremonial entry of Francis I in 1521. He probably also produced some stained-glass windows with coats of arms at Gray in 1530. Two engravings in the Flemish style, Roman Charity and Venus, are signed with his full name and dated 1546. Pierre-Jean Mariette ascribed to him a series of prints (Paris, Bib. N., Cab. Est.; 4, after Polidoro da Caravaggio (c. 1499–c. 1543), of terms and 12 of architectural details) engraved in Italy, probably in Rome, between 1535 and 1538, bearing the monogram p.s., although Michel de Marolles, writing in 1666, thought this referred to a certain Perjeconter, otherwise unknown. Although they are very different in style to Prévost's other works, these works may be by him. If he went to Italy, he was back in France before 1550, when he painted the retables of the high altars at Dôle and Gray for Hugues Marmier, President of the Parlement. Between 1550 and 1555 Prévost lived in Langres, working for Claude de Longwy, Cardinal of Givry. He was in Burgundy and Franche-Comté between 1555 and 1580 and died some time after the latter date.
From The Grove Encyclopedia of Northern Renaissance Art in Oxford Reference.
Subjects: Renaissance Art.