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In a church, the curtains suspended around an altar, sometimes from rods fixed into the wall behind, but more often from some means of hanging spanning between riddel-posts: there were normally four of the last, polygonal on plan, coloured and gilded, and crowned by angels, often supporting candelabra. Arrangements of riddels behind and around altars seem to have been not uncommon in England towards the end of the Gothic period, in the decades immediately before the iconoclasm of C16, and were revived in the early C20 during the late flowering of the Gothic Revival, notably by Comper and Temple Moore.

Comper (1893, 1897, 1933, 1950);Dearmer (1911, 1931);Dirsztay (1978)

Subjects: Architecture.

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