Article

Musical Identities Mediate Musical Development

David J. Hargreaves, Raymond MacDonald and Dorothy Miell

in The Oxford Handbook of Music Education, Volume 1

Published in print August 2012 | ISBN: 9780199730810
Published online November 2012 | | DOI: http://dx.doi.org/10.1093/oxfordhb/9780199730810.013.0008

Series: Oxford Handbooks

 Musical Identities Mediate Musical Development

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This article has two main aims. The first is to identify those aspects of developmental psychology as a whole that are most useful in trying to explain musical development in particular. The second is to develop the central argument that the study of people's musical identities is an essential part of the explanation of their musical development. The article is organized as follows. The first section summarizes the main theoretical perspectives on musical development since the 1980s. The second section provides representative examples of empirical research from three broad areas—cognitive, social, and affective— and then looks at the cognitive aspects of musical development and learning: This was the predominant emphasis of developmental studies in the 1980s. The third section focuses on the social aspects of musical development, which have come to include the study of personality. The fourth section considers the development of the affective aspects of musical behavior, that is, those concerning emotion.

Keywords: developmental psychology; musical identity; cognitive aspects; musical learning; personality; social aspects; affective aspects; musical behavior; emotion

Article.  7935 words. 

Subjects: Music ; Music Education and Pedagogy

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