Article

A Historical View of Computer Music Technology

Douglas Keislar

in The Oxford Handbook of Computer Music

Published in print April 2011 | ISBN: 9780199792030
Published online September 2012 | | DOI: http://dx.doi.org/10.1093/oxfordhb/9780199792030.013.0002

Series: Oxford Handbooks

A Historical View of Computer Music Technology

Preview

This article presents a historical view of computer music technology. It starts by discussing important terminology in this field. Kassler and Howe (1980) briefly characterized computer music technologies as replacements for conventional human musical activities, an approach akin to the more general writings of the media theorist Marshall McLuhan (1964). This article charts a course influenced by both these sources. Although it treats musical technologies prior to the computer, it forms an essential backdrop to the ensuing discussion. Furthermore, it examines the development of the computer as a musical instrument, broadly speaking, and then the means by which human musicians have operated this “instrument.” Next, it considers the computer as a musician itself, whether composer or performer. Finally, it concludes with a synopsis of some trends in computer music technology in the twentieth and twenty-first centuries.

Keywords: computer music technology; terminology; instrument; composer; performer

Article.  12909 words. 

Subjects: Music ; Applied Music

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