Virtual Worlds

Trevor S. Harvey

in The Oxford Handbook of Virtuality

Published in print February 2014 | ISBN: 9780199826162
Published online December 2013 | | DOI:

Series: Oxford Handbooks in Music

Virtual Worlds

More Like This

Show all results sharing these subjects:

  • Music
  • Music and Media
  • Applied Music


Show Summary Details


This chapter investigates the coconstruction of musical identities among audiences and performers in the virtual world of Second Life. Within this digital environment, musicians, rendered as digitally constructed avatars, perform “live” concerts in front of audience members, each represented by their own avatar. Through an ethnographic account of live music performances in Second Life, including interviews with musicians and audience members, this chapter will explore the layered identities of Second Life participants as they socially construct their digital avatar personas within the virtual world. Musical personas of Second Life participants, like real-world identities, are constantly in flux and incomplete, and are constructed in the process of musical performances. Musical avatars, both of musicians and audiences, are thus complex intersubjective and intrasubjective mediators of the meaningful sociomusical experiences that draw participation into virtual worlds.

Keywords: Virtual worlds; Second Life; musical personas; identity; avatars; ethnography

Article.  5721 words. 

Subjects: Music ; Music and Media ; Applied Music

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.