Chapter

Introduction

Wendy Heller

in Emblems of Eloquence

Published by University of California Press

Published in print January 2004 | ISBN: 9780520209336
Published online May 2012 | e-ISBN: 9780520919341 | DOI: http://dx.doi.org/10.1525/california/9780520209336.003.0001
Introduction

More Like This

Show all results sharing this subject:

  • Musicology and Music History

GO

Show Summary Details

Preview

Opera was an important means through which the polemic about women was waged in Venice. The goddess Venus was the alter ego of Venice's public image. The analogy between Venice and her own opera industry provides an important frame for the consideration of female presence and vocality in opera. Opera provided an occasion to “stage” many of the fantasies aroused by carnival, albeit in a stylized and less threatening fashion. The question of female sexual pleasure in the Galenic sense is addressed. The significance of the courtesan has to do with the mechanisms of female fashioning and self-fashioning. This book introduces a broad range of ways in which the operas might have been understood in the context of contemporary ideologies and expectations. Finally, an overview of the chapters included in this book is given.

Keywords: opera; Venice; Venus; female presence; vocality; female sexual pleasure; Galenic sense; courtesan

Chapter.  11929 words. 

Subjects: Musicology and Music History

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.