Chapter

Coming of Age in America

Glenn Watkins

in Proof through the Night

Published by University of California Press

Published in print December 2002 | ISBN: 9780520231580
Published online May 2012 | e-ISBN: 9780520927896 | DOI: http://dx.doi.org/10.1525/california/9780520231580.003.0020
Coming of Age in America

Show Summary Details

Preview

With America's entrance into the Great War in April 1917, the role of art and music in society understandably took on a new urgency, so that an assessment at the beginning of 1918 by Walter Spalding, called “The War in its Relation to American Music,” was timely as well as predictable. No composer or resident on the eastern seaboard was held in higher esteem during the years of the Great War than John Alden Carpenter. Through the period of the Great War, hardly any American critic argued that a composer might look outward to the recent and invigorating models of the European avant-garde. One of America's most daring composers during the war was Leo Ornstein. Of all those who were composing at this time, no figure provided more vivid testimony to the possibility of a truly American avant-garde than Charles Ives.

Keywords: Great War; America; art; music; John Alden Carpenter; avant-garde; composers; Leo Ornstein; Charles Ives

Chapter.  9461 words. 

Subjects: American Music

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.