Chapter

The <i>Rhapsody in Blue</i> (1924)

Howard Pollack

in George Gershwin

Published by University of California Press

Published in print January 2007 | ISBN: 9780520248649
Published online May 2012 | e-ISBN: 9780520933149 | DOI: http://dx.doi.org/10.1525/california/9780520248649.003.0016
The Rhapsody in Blue (1924)

Show Summary Details

Preview

About the time that Sweet Little Devil went into rehearsal, Gershwin started work on a composition—the Rhapsody in Blue—for Paul Whiteman and his Palais Royal Orchestra, a piece which became an important milestone in terms of not only the composer's career, but American music in general. The Rhapsody evokes not only the blues, but, quite generally, the sounds of New York: the hurdy-gurdies of the Lower East Side, the calliopes of Coney Island, the player pianos of Harlem, the chugging of trains leaving Grand Central Station, the noisy construction of midtown skyscrapers, and so forth. It combines elements of classical music with jazz-influenced effects.

Keywords: Paul Whiteman; Rhapsody in Blue; Palais Royal Orchestra; American music; New York; classical music; jazz

Chapter.  9141 words. 

Subjects: American Music

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.