Chapter

<i>Rosalie</i> and <i>Treasure Girl</i> (1928)

Howard Pollack

in George Gershwin

Published by University of California Press

Published in print January 2007 | ISBN: 9780520248649
Published online May 2012 | e-ISBN: 9780520933149 | DOI: http://dx.doi.org/10.1525/california/9780520248649.003.0022
Rosalie and Treasure Girl (1928)

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Less than two months after Funny Face debuted in New York, producer Florenz Ziegfeld launched a new show, Rosalie, with music by Gershwin and Sigmund Romberg, and lyrics by Ira and P. G. Wodehouse. The critics loved the piece, and Rosalie enjoyed a highly successful Boston run for two and a half weeks. Romberg's choruses accordingly received their due, but Gershwin's music earned the lion's share of praise. As a stage work, Rosalie remained for some decades a staple among provincial theaters specializing in operetta. The Aarons and Vinton Freedley followed Oh, Kay! with another Gershwin brothers' show for Gertrude Lawrence, Treasure Girl. However, the reviews were dismal.

Keywords: Florenz Ziegfeld; George Gershwin; Ira Gershwin; Sigmund Romberg; operetta; Gertrude Lawrence; Vinton Freedley

Chapter.  5772 words. 

Subjects: American Music

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