Chapter

Mozart at Play

Karol Berger

in Bach's Cycle, Mozart's Arrow

Published by University of California Press

Published in print October 2007 | ISBN: 9780520250918
Published online May 2012 | e-ISBN: 9780520933699 | DOI: http://dx.doi.org/10.1525/california/9780520250918.003.0007
Mozart at Play

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This chapter starts with Mozart's instrumental music. At some point between the early and late eighteenth century, between Bach and Mozart, musical form became primarily temporal, and the center of attention for musicians shifted toward the temporal disposition of events. The discussion demonstrates this point by considering the temporality of the instrumental genre that was of central importance to Mozart, the concerto allegro. Among Mozart's instrumental genres, the concerto stands out for its profusion of melodic invention. In these concerto allegros, the main focus of interest is the order in which melodic ideas are presented within each of the three tellings of the story—opening ritornello, exposition, and recapitulation—making each of the tellings progressively more complete and logical.

Keywords: instrumental music; Bach; Mozart; concerto allegro; melodic invention

Chapter.  8144 words.  Illustrated.

Subjects: Musicology and Music History

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