Chapter

Defining a Genre

Gabriel Solis

in Monk's Music

Published by University of California Press

Published in print December 2007 | ISBN: 9780520252004
Published online May 2012 | e-ISBN: 9780520940963 | DOI: http://dx.doi.org/10.1525/california/9780520252004.003.0006
Defining a Genre

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This chapter deals with the connections between various approaches to Monk's legacy, which, though distinctive in their own right, nonetheless approach a common goal, constructing Monk as a key figure in the history of a jazz mainstream, and as a significant predecessor of “inside” players today. It focuses on the creation of a mainstream, “classicizing” understanding of Monk's place in history and, furthermore, looks at Monk as the object of institutional jazz culture. The analyses consider the building of a jazz canon in general, and how scholars and jazz institutions such as the Thelonious Monk Institute, Jazz at Lincoln Center, and the Smithsonian Institution's jazz program have been involved with this process. Finally, the chapter describes three different instances of “mainstream,” “inside” performances of Monk's music.

Keywords: Monk's legacy; classicizing; jazz culture; mainstream; jazz institutions

Chapter.  9412 words.  Illustrated.

Subjects: American Music

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