Chapter

The Institutionalisation of American Independent Cinema

Yannis Tzioumakis

in American Independent Cinema

Published by Edinburgh University Press

Published in print July 2006 | ISBN: 9780748618668
Published online September 2012 | e-ISBN: 9780748670802 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748618668.003.0009
The Institutionalisation of American Independent Cinema

Show Summary Details

Preview

The bankruptcy of Orion Pictures and of a number of smaller independent companies in the late 1980s demonstrated to other players that economic survival depended on their symbiotic relationship with the established majors. This relationship has primarily taken the form of corporate contracts (by which independent companies were bought out by the majors but left to operate as relatively autonomous or were provided finance to develop and produce films for the majors). Additionally, since the 1990s, the majors have also created their own brands of independent films through semi-autonomous units (Paramount Classics, Sony Pictures Classics, Fox Searchlight, etc), which are known as classics or specialty divisions. As a consequence, American independent cinema has been increasingly controlled by the majors to the extent that it has now become an industrial category, another marketing strategy for product differentiation. The chapter offers an overview of the above developments in the commercial independent cinema sector and discusses the consequences of such an institutionalisation. Case studies: sex, lies and videotape (Soderbergh, 1989), Clerks (Smith, 1994)

Keywords: Institutionalisation; Classics divisions; Specialty divisions; Product differentiation; Corporate contract; Major studios

Chapter.  12867 words.  Illustrated.

Subjects: Film

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.