Chapter

Nationalism, Trade and Market Domination

Paul Grainge, Mark Jancovich and Sharon Monteith

in Film Histories

Published by Edinburgh University Press

Published in print January 2007 | ISBN: 9780748619061
Published online September 2012 | e-ISBN: 9780748670888 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748619061.003.0003
Nationalism, Trade and Market Domination

Show Summary Details

Preview

This chapter discusses the international scope and status of early cinema, and the particular significance of European production companies. While Europe dominated world film markets in the first decade of the twentieth century, the situation began to change as the business organisation of the American film industry was streamlined, and the Hollywood studio system developed. In the emerging history of Hollywood, the established powers of the Motion Picture Patents Company positioned themselves against a growing lobby of independent producers, distributors, and exhibitors in a fight for market control. It was from this struggle that the industrial and aesthetic dominance of the American studio system would emerge and come to assert itself in national and international terms. The chapter also includes the study, ‘The Perils of Pathé, or the Americanization of Early American Cinema’ by Richard Abel, which examines the means by which cinema became a contested site of Americanization.

Keywords: American film companies; film production; Hollywood studio system; Americanization; film industry; European production companies; Richard Abel; film history

Chapter.  11234 words. 

Subjects: Film

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.