Chapter

Wartime, Unity and Alienation

Paul Grainge, Mark Jancovich and Sharon Monteith

in Film Histories

Published by Edinburgh University Press

Published in print January 2007 | ISBN: 9780748619061
Published online September 2012 | e-ISBN: 9780748670888 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748619061.003.0012
Wartime, Unity and Alienation

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This chapter discusses the United States film industry during the Second World War. The film industry and its personnel were recruited for the war effort. Directors such as Frank Capra and John Ford were conscripted into the armed forces where they made a series of documentaries that supported US involvement. Hollywood was also enlisted in other ways. The Office of War Information (OWI) worked with the film industry to mobilise support for the war and maintain morale during it. In the process, a whole host of films sought to illustrate the dangers of the menace posed by the Axis powers. The chapter also includes the study, ‘What to Show the World: The Office of War Information and Hollywood, 1942–1945’ by Clayton R. Koppes and Gregory D. Black, which examines the OWI and its control over the content of motion-pictures during the Second World War.

Keywords: film industry; Second World War; Hollywood; Office of War Information; film history; Axis powers; filmmaking; war effort; Clayton R. Koppes; Gregory D. Black

Chapter.  10038 words. 

Subjects: Film

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