Chapter

Modernism, Nostalgia and the Hollywood Renaissance

Paul Grainge, Mark Jancovich and Sharon Monteith

in Film Histories

Published by Edinburgh University Press

Published in print January 2007 | ISBN: 9780748619061
Published online September 2012 | e-ISBN: 9780748670888 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748619061.003.0018
Modernism, Nostalgia and the Hollywood Renaissance

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This chapter discusses films inspired by internal conflicts in the United States during the late 1960s and early 1970s, as divisions between young and old, black and white, and left and right became increasingly polarised. This can be seen as the period of Hollywood modernism, in which a series of films and filmmakers displayed the influence of the international art cinema. It can also been seen as one in which Hollywood cinema incorporated other cinemas, containing their threat by absorbing that which was threatening. In political terms, this can also be seen as both an era of political radicalism in which a whole series of aspects of American culture and society were criticised and as one of conservatism in which there was an attack on the claims and gains made by the left. The chapter also includes the study, ‘Inner-City Exhibition and the Genre Film: Distributing Night of the Living Dead’ (1968) by Kevin Heffernan, which uses the film to open up a series of issues about distribution in the late 1960s.

Keywords: internal conflict; polarization; Hollywood modernism; international art cinema; political radicalism; Kevin Heffernan; film distribution; Night of the Living Dead; film history

Chapter.  13469 words. 

Subjects: Film

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